Emissione: 1796, Zecca di Viterbo, Rif. bibl. Muntoni, 425; Metallo: AE, gr. 12,54, (MX105465), Diam.: mm. 30,07, mBB Ex Gadoury 2011 n. 402.
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One important aspect that determines the value of a coin is the correct grading of it.
For this reason we study the techniques of production, carefully analyzing each exemplar by powerful lenses and microscope if necessary.
We use the European system of grading for our coins, ranging from VG (Very Good) to BU (Brilliant Uncirculated).
Shown below is the system adopted with a brief description for each grade.
Heavy wear on all the coin with about 25% of original detail visible.
Heavy wear on all the coin with about 50% of original detail visible.
Moderate wear with about 75% of detail visible.
Little wear with about 95% of original detail visible.
No sign of wear, not even under a powerful microscope, with full mint lustre.
Proof isn't properly a grade but a special method of production using especially prepared polished coin dies and planchets. Proofs are usually struck twice, with slower speed but more pressure. The resulting coins usually have a mirror field and raised areas are frosted in appearance.
In the histogram present in the data sheet of each exemplar is graphically reported the level of the grade.
It's adopted a grading in seventieths to help the Asian and American collectors accustomed to the Sheldon Grading System.
Other eventual defects will be reported among the notes in the data sheet.
We want to underline that we carefully analyze the coins to discover possible invasive restorations, especially for the Roman bronze coins, aimed to increase the grade and therefore the charm of a coin.
Another notable aspect in determining the value of a coin is the rarity. Coins have been produced in great quantity since ancient times and, being “industrial products”, they're often common objects.
But in many cases, this isn't true.
There are exemplars very difficult to find, sometimes practically unavailable; in some cases, the rarity is subordinated to the big demand of collectors for certain symbolical issues (for example, the coins of Julius Caesar). In the histogram, the level of rarity of the item is graphically reported in percentage, spanning from a low percentage for very common or common coins (C) to 100% for extremely rare ones, unique or known in few specimens (RRRRR).
Shown below is the table of rarity with a brief description for each level.
Abbreviation | Description |
---|---|
C | Common |
NC | Not common |
R | Rare |
RR | Very rare |
RRR | Particularly rare |
RRRR | Extremely rare |
RRRRR | Of the greatest rarity |
Also the quality and the visual aspect of a coin's metal is a key factor in rating it.
The metal of a coin can be damaged by the time goes on.
Sometimes the defects can be caused by the low quality metal used during the minting process.
The damages could be caused by an improper cleaning or a bad restoration too.
Another aspect examined in this parameter is the patina, if present.
With time, a thin layer can appear on the surface of a coin due to exposure to light, chemical compounds, or atmospheric elements. Relevant is also the way the collectors kept it.
An old collection patina can increase the charm of a coin and its value, especially for a silver one.
The original old patinas, like the green or riverine ones on the Roman bronze coins, attract the collectors.
We remark the adjective original because in many cases the patinas are artificial, created to increase the value of a coin.
If an original patina is present on a coin, we'll report it in the data sheet resulting in a high rating in the histogram too.
Artificial patinas or modern oxidations, detected during the examination, will result in a lower rating in the histogram.
A low rating will be reserved for coins with porosity, excessive oxidations, crystallizations, et al.
On the contrary, coins with a metal without particular issues will receive a really high rating in the histogram.
Also aggressive polishing can damage the metal of a coin causing a low rating.
In the evaluation of the coins, especially the hammered ancient ones, it is very important to examine deeply the process of production and the materials used.
Exemplars minted in a large, not fractured flan and well centered will receive a high rating.
Coins with high reliefs will receive a high evaluation reported in the histogram.
On the contrary, exemplars with damaged flan, not centered and with low reliefs will receive a lower rating.
The same importance is reserved for the production with not worn out or not rusted coin dies.
Another significant element to take in consideration when determining the value of a coin is the provenance or pedigree, that is the certification of the various passages of the coin in the numismatic market and collections.
A coin with an old provenance, sold in prestigious auctions (Santamaria, Leu, Frank Sternberg et al.) or displayed in important collections (A. Moretti, A. Magnaguti, S. Pozzi etc.), will receive a higher percentage in the histogram than another one with a more recent or less prestigious pedigree.
Naturally, it's not always possible to report the provenance of a coin due to the Privacy Laws, but we remark that all the coins offered by Moruzzi Numismatica have an absolutely legal provenance registered in the Italian authorities' lists.