Moruzzi Numismatica
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Città del Vaticano, 2 euro 2020 FDC, V centenario della Morte di Raffaello Sanzio / monete vaticane di Papa Francesco (2 EUROS BU - 2€ commemorative coins - "2 euro" commemorativi da collezione - moneta commemorativa da due euro) Stempelglanz

  • 32.00 €
AVAILABILITY: AVAILABLE
SKU#: vaticano_2euro_2020_fdc_raffaello

V centenario della Morte di Raffaello Sanzio, Emissione: 2020, nella confezione originale della zecca di Roma, Rif. bibl. Unif. euro, -; Metallo CU/NI, gr. 8,50, Diam.: mm 25,75, FDC

Città del Vaticano, FRANCESCO, Bergoglio, 2 euro commemorativo 2020, Moneta bimetallica da due euro commemorativa del V centenario della Morte di Raffaello Sanzio, D/ autoritratto di Raffaello Sanzio presente nell’affresco della Scuola di Atene e i due angioletti della Madonna Sistina; a d., in semicerchio, RAFFAELLO SANZIO; sopra l'immagine dei due angioletti 1520 e 2020 su due righe; in esergo: CITTA’ DEL VATICANO; sotto: il segno di zecca (R) e il nome dell'autore D.LONGO, R/ 2 EURO, mappa dell'Unione Europea e le 12 stelle dei paesi fondatori della moneta unica; LL nella parte esterna, nella confezione originale della zecca di Roma, Rif. bibl. Unif. euro, -; Metallo CU/NI, gr. 8,50, Diam.: mm 25,75, FDC

La bellezza, come la verità, è ciò che infonde gioia al cuore degli uomini, è quel frutto prezioso che resiste al logorio del tempo, che unisce le generazioni e le fa comunicare nell’ammirazione. (Papa Paolo VI). E ancora oggi, il mondo nel quale viviamo, come quello di 500 anni fa, nel quale viveva e operava Raffaello Sanzio, principe delle arti, “ha bisogno di bellezza per non sprofondare nella disperazione”. Per celebrare il Genio di Urbino nel cinquecentesimo anniversario della sua morte, Daniela Longo realizza per la Zecca dello Stato della Città del Vaticano, una moneta da due euro che riproduce e interpreta la nostalgia della bellezza negli sguardi di Raffaello nell’autoritratto presente nell’affresco della Scuola di Atene e nell’atteggiamento dei due indimenticabili angioletti che l’Urbinate raffigurò e inserì alla base della Madonna Sistina, un miracolo di sorprendente naturalezza. “Fate posto al grande Raffaello”. Queste furono le parole con cui Federico Augusto III accolse nel 1757 a Dresda la Madonna Sistina e dove ancora oggi è conservata presso la Gemälderie Alte Maister, quella che è considerata ancor oggi una tra le più belle opere mai realizzate dal geniale pittore del Rinascimento italiano.

SCHEDE TECNICA
Valore nominale: 2 Euro
Diametro: 25,75 mm
Peso legale: 8,50 g
Scultore: Daniela Longo
Incisore: Silvia Petrassi
Tiratura: 67.000 astucci
Coniazione: IPZS (Italia)

* la foto di questo oggetto è generica ed indicativa dell’esemplare in vendita.
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Grading

The grading of the coins

One important aspect that determines the value of a coin is the correct grading of it.


For this reason we study the techniques of production, carefully analyzing each exemplar by powerful lenses and microscope if necessary.


We use the European system of grading for our coins, ranging from VG (Very Good) to BU (Brilliant Uncirculated).


Shown below is the system adopted with a brief description for each grade.


VG - Very Good

Heavy wear on all the coin with about 25% of original detail visible.

F - Fine

Heavy wear on all the coin with about 50% of original detail visible.

VF - Very Fine

Moderate wear with about 75% of detail visible.

EF - Extremely Fine

Little wear with about 95% of original detail visible.

BU - Brilliant Uncirculated

No sign of wear, not even under a powerful microscope, with full mint lustre.


Proof isn't properly a grade but a special method of production using especially prepared polished coin dies and planchets. Proofs are usually struck twice, with slower speed but more pressure. The resulting coins usually have a mirror field and raised areas are frosted in appearance.


In the histogram present in the data sheet of each exemplar is graphically reported the level of the grade.


It's adopted a grading in seventieths to help the Asian and American collectors accustomed to the Sheldon Grading System.


Other eventual defects will be reported among the notes in the data sheet.


We want to underline that we carefully analyze the coins to discover possible invasive restorations, especially for the Roman bronze coins, aimed to increase the grade and therefore the charm of a coin.


Rarity

The rarity

Another notable aspect in determining the value of a coin is the rarity. Coins have been produced in great quantity since ancient times and, being “industrial products”, they're often common objects.


But in many cases, this isn't true.


There are exemplars very difficult to find, sometimes practically unavailable; in some cases, the rarity is subordinated to the big demand of collectors for certain symbolical issues (for example, the coins of Julius Caesar). In the histogram, the level of rarity of the item is graphically reported in percentage, spanning from a low percentage for very common or common coins (C) to 100% for extremely rare ones, unique or known in few specimens (RRRRR).


Shown below is the table of rarity with a brief description for each level.



Abbreviation Description
C Common
NC Not common
R Rare
RR Very rare
RRR Particularly rare
RRRR Extremely rare
RRRRR Of the greatest rarity

Metal and Patina

The metal and the patina

Also the quality and the visual aspect of a coin's metal is a key factor in rating it.


The metal of a coin can be damaged by the time goes on.


Sometimes the defects can be caused by the low quality metal used during the minting process.


The damages could be caused by an improper cleaning or a bad restoration too.


Another aspect examined in this parameter is the patina, if present.


With time, a thin layer can appear on the surface of a coin due to exposure to light, chemical compounds, or atmospheric elements. Relevant is also the way the collectors kept it.


An old collection patina can increase the charm of a coin and its value, especially for a silver one.


The original old patinas, like the green or riverine ones on the Roman bronze coins, attract the collectors.


We remark the adjective original because in many cases the patinas are artificial, created to increase the value of a coin.


If an original patina is present on a coin, we'll report it in the data sheet resulting in a high rating in the histogram too.


Artificial patinas or modern oxidations, detected during the examination, will result in a lower rating in the histogram.


A low rating will be reserved for coins with porosity, excessive oxidations, crystallizations, et al.


On the contrary, coins with a metal without particular issues will receive a really high rating in the histogram.


Also aggressive polishing can damage the metal of a coin causing a low rating.


Style

The style

For the ancient coins, the style of the coin dies used for the minting is really important.


Coins with a coarse style will receive a low rating in the histogram. Otherwise, coins with a fine style will receive a higher evaluation up to the maximum for the most artistic ones.


Coinage

The coinage

In the evaluation of the coins, especially the hammered ancient ones, it is very important to examine deeply the process of production and the materials used.


Exemplars minted in a large, not fractured flan and well centered will receive a high rating.


Coins with high reliefs will receive a high evaluation reported in the histogram.


On the contrary, exemplars with damaged flan, not centered and with low reliefs will receive a lower rating.


The same importance is reserved for the production with not worn out or not rusted coin dies.


Provenance

The provenance

Another significant element to take in consideration when determining the value of a coin is the provenance or pedigree, that is the certification of the various passages of the coin in the numismatic market and collections.


A coin with an old provenance, sold in prestigious auctions (Santamaria, Leu, Frank Sternberg et al.) or displayed in important collections (A. Moretti, A. Magnaguti, S. Pozzi etc.), will receive a higher percentage in the histogram than another one with a more recent or less prestigious pedigree.


Naturally, it's not always possible to report the provenance of a coin due to the Privacy Laws, but we remark that all the coins offered by Moruzzi Numismatica have an absolutely legal provenance registered in the Italian authorities' lists.